I suspect you may need more specifics or to articulate for yourself more specifics that get you to (triggers/ways to cheat to get there) 'childlike', 'aggressor' etc.. otherwise they will become generic states and hard to find consistently... you need your specific triggers lined up and consistently repeatable- you may have them unconsciously- but it might be helpful to articulate them... so that you can CHOSE them when you need to- this is especially helpful for film- when you do not have the time often to get ready that you do in theatre and when your 'given circumstances' can be vague, changing, unrehearsed or you have to do the last scene first etc...
ie: when you cannot rely on the trajectory of the 'play' - this also happens in plays where you are multiple characters or scripts that are non-linear
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